I’ve been The way Lizzy is rotoscoped into scenes with complex lighting—specifically the high-contrast forest shots—shows a deep understanding of color grading and light wrap. It’s not just a cat layered over a film; the shadows on her fur consistently match the original plate's light source. Furthermore, the decision to prioritize Lizzy’s natural feline mannerisms over forced movements creates a unique comedic timing that pure CGI could never replicate. The production value on the behind-the-scenes content also provides excellent insight into the patience required for high-fidelity animal-led cinematography. Truly top-tier work from the whole team