Observing the recent evolution of the Stokes Twins' production quality, particularly post-2021 legal complications, a discernible shift in content strategy is evident. The focus appears to have moved away from high-risk, public domain pranks that optimized for immediate virality, towards more elaborate, higher-budget challenges or controlled environment narratives (e.g., their recent 'Last to leave the glass house' video). This suggests a maturity in their business approach, prioritizing brand safety and long-term audience retention over fleeting controversy. Have any other viewers noticed a corresponding change in their typical audience demographic or viewership patterns since this pivot occurred? I am specifically interested in how their engagement rates correlate with this increase in production polish.