I wanted to open a discussion regarding the production pipeline utilized by Scene Empire. The creator notes the use of Adobe After Effects 2024 and Topaz for enhancement. While the upscaling fidelity is consistently impressive, particularly noticeable in the recent 'Blade Runner 2049' edits, I've observed slight fluctuations in the color temperature consistency across different source materials—specifically when dealing with highly saturated 80s films versus modern blockbusters. I'm curious if the Topaz settings are standardized or adjusted on a per-project basis to compensate for initial source noise/grain. The dedication to daily edits while maintaining this level of technical polish is commendable, but how is that balance achieved?