I’ve been analyzing the recent cinematography montages, particularly the spotlights on Denis Villeneuve and Studio Ghibli. The editorial synchronization between the rhythmic pulse of the soundtrack and the internal camera movement is masterclass-level. However, I’ve noticed a subtle shift toward heavier post-processing to unify clips from varying film stocks.
Do you believe this enhances the thematic cohesion of the supercut, or does it detract from the raw, original cinematography of the featured films? I’d argue that the 'Silence of the Lambs' feature struck a superior balance between atmosphere and technical precision compared to the more stylized recent works. I'm curious to hear your thoughts on whether the channel's aesthetic is becoming too editorialized at the expense of archival accuracy.