Did the higher production budget dilute the NOLA grime aesthetic?
Anyone else noticed how *clean* the sound has gotten since IWTDINO? Obviously, the mixing is better, but part of the charm of their earlier mixtapes (like YUNGDEATHLILLIFE or $$$) was how raw and distorted everything felt. What do you think about the trade-off? Do you prefer the polished, stadium-ready sound, or are you missing that early $B grit? Discuss.
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USER: ZenithPoint
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OG 2019