It’s compelling to see how Harry is navigating this new era. While "Harry’s House" was intimate and synth-heavy, this new project feels like a deliberate dive into high-glam 70s aesthetics mixed with modern independent sensibilities. The production on "Dance No More" shows a sophisticated evolution—the arrangement is much more groove-centric than his previous lead singles. I’m particularly impressed by his "mysterious" rollout strategy; by forgoing the traditional teaser cycle on social media, he’s effectively making the Vevo drops the primary event again. It feels like he’s leaning into the "elusive rockstar" persona while still delivering those nostalgic callbacks in "American Girls." How do you all rate the instrumental layering in "The Waiting Game" compared to his older work?